The heavenly aeroplane SATB vocal score One of these nights about twelve o'clock Forces or Category: 2-part/SATB

Viola Time Sprinters is the third book in this hugely successful series. The book includes original pieces in different styles, pieces by a range of composers, and duets with parts of equal difficulty, together with a CD of performances and backings. Straightforward piano accompaniments are available in a separate volume.

Viola Time Scales is brimming over with creative ideas to make learning scales and arpeggios easy, covering the finger patterns used in Viola Time Joggers and Runners, and including all the scales and arpeggios for ABRSM Grades 1 and 2.

Kathy Blackwell and David Blackwell Cello Time Scales Pieces, puzzles, scales, and arpeggios Cello Time 32 pages 311x232mm 978-0-19-338139-1 Paperback 12 January 2012 Covers the finger patterns used in Cello Time Joggers and Runners, and includes all the scales and arpeggios for ABRSM Grades 1 and 2 Sets out each form with a fingering chart, a telephone 'helpline' to reinforce the arpeggio fingering, and a rhythm game to practise the scale Includes a variety of fun pieces for each key, and a range of puzzles and compositional games Cello Time Scales is brimming over with creative ideas and packed with imaginative and amusing cartoons to make learning scales and arpeggios easy. D major: Finger tips D major: Low D, high D, A in between C major: Let's jog C major: Step, skip, jump! G major: Follow me G major: Arpeggio fanfare C major: Fast food C major: What's in your sandwich? A natural minor: French carol A natural minor: Somerset folksong F major: Accelerator F major: Double decker A major: Sweet Betsy from Pike Bb major: Two little angels Bb major: Knock, knock! G major: French folk song G major: Eiffel Tower D harmonic minor: Theme from Mahler's First Symphony D harmonic minor: Mission to Mars C harmonic minor: Old man of Peru G harmonic minor: Haunted house G harmonic minor: Le tambourin D melodic minor: I gotta play those cello blues D melodic minor: Shalom Chaverim C melodic minor: Yellow cello C melodic minor: Escalator cha-cha G melodic minor: A bit of Bach G melodic minor: Bump in the night G, D, C natural minors G natural minor: Zum gali, gali

Tomorrow shall be my dancing day. for SATB (with divisions) and organ This sparkling arrangement of the traditional English carol presents the familiar melody through a variety of textures, ranging from unison to five parts, and concludes with a soaring soprano descant. Light and rhythmic in style, it dances with joy and celebrationDLperfect for concerts and services.

O magnum mysterium. for high treble solo and SATB unaccompanied Set in four parts, this atmospheric carol unfolds simply, from stillness and silence, in awe and contemplation. The choral writing is punctuated with a high solo voice singing phrases that call to mind fragments of the plainsong chant on the same text, appointed as a Responsary for Christmas Day.

The Parting Glass. for SATB unaccompanied The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encore item.

Edition de Frank Dobbins 352 pages 220x142mm The 84 chansons in this collection are mainly for SATB, and were selected first and foremost for their musical value. Care has been taken to represent the great masters as well as lesser-known composers who made significant contributions to the genre. SATB unaccompanied Arcadelt: D'un Extreme Regret Arcadelt: Je Ne Suis Pas Si Tot Beaulaigue: Comme Serait a Moi Benedictus/Appenzeller: Je Ne Me Puis Tenir D'Aimer Bertrand: Hola, Caron Bertrand: Je Suis un Demi'Dieu Boni: Ha, Bel Accueil Boni: J'espere et Crains Bonnet: Francion Vint L'Autre Jour Buus: Douce Memoire Caietain: Une Puce Canis: Mariez Moi Mon Pere Castro: Ah! Je Meurs Castro: Je Suis Quasi Certon: J'espere et Crains Certon: Je Suis Desheritee Certon: La, La, La, Je Ne L'ose Dire Certon: Que N'est Elle Aupres de Moi Clemens: Jaquin Jaquet Clereau: Comme Un Qui Prend Cornet: Avecque Vous Coste: Celle Fillette Costeley: Arrete Un Peu Mon Coeur Costeley: Mignonne, Allons Voir si la Rose Crecquillon/Manchicourt: Un Gai Berger Crecquillon/Manchicourt: Un Doux Regard De Bussy: Qu'heureuse est ma Fortune Du Caurroy: Las! Amour Entraigues: Complainte de la Tourterelle Fevin: petite Camusette Gardane: Douce Memoire Gervaise: Si L'on Doit Prendre Gombert: Changeons Propos Vous Etes Trop Jeune Goudimel: Qui Renforcera Ma Voix Jacotin: A Paris a Trois Fillettes Janequin: Au Joli Jeu du Pousse Avant Janequin: La Plus Belle de la Ville Janequin: Le Chant de Oiseaux Janequin: Or Vien Ca, Vien M'amie Janequin: Pourquoi Tournez Vous Vos Yeux Josquin: En L'ombre d'un Buissonet Josquin: Faute d'Argent Josquin: Mille Regrets Josquin: Petite Camusette Josquin: La Moeulle Josquin: Si Je Maintiens Ma Vie Lassus: Bonjour Mon Coeur Lassus: La Nuit Froide et Sombre Lassus: Quand Mon Mari Lassus: Une Puce Le Blanc: Dames en qui Reluit Toute Beaute Le Jeune: Ce n'est que Fiel Le Jeune: J'aime la Pierre Precieuse Le Jeune: Revoici Venir du Printemps Le Jeune: Susanne un Jour Lupi Second: Une Dame Pour Mieux Venir Lupus/Cadeac: Je Suis Desheritee Maille: A Qui Me Dois Je Retirer? Mauduit: Voice le Vert et Beau Mai Meigret: Un doux Regard Millot: O Ma Belle Maitresse Mittantier: Moins je la veux Monte: Bonjour mon coeur Mornable: Je Ne Me Confesserai Point Mouton: En Venant de Lyon Ninot le Petit: Et la la la Passereau: Il est bel et bon Pevernage: D'Etre Amoureux Phinot: Pleurez Mes Yeux Planson: Puis Que Le Ciel Veut Ainsi Regnard: Las, Je Me Plains Richafort: Trut Avant Il Faut Boire Roussel: Mon Coeur a Vous, Belle, se Recommande Sandrin: Douce Memoire Sandrin: Puisque Vivre en Servitude Sermisy: Jouissance Vous Donnerai Sermisy: Martin Menait Son Pourceau Sermisy: Tant Que Vivrai Susato: Douce Memoire Tessier: Non, Vous N'etes pas Yeux Villiers: Si Vous Voulez Waelrant: D'Amourss Me Va Willaert: Qui la Dira Willaert: Sur le Joli Jonc

Mathias' Sonatina, originally composed in 1953 but revised in 1986, is a slighter yet more approachable work. A considerable amount of straight repetition renders the music easily assimilable. For instance, both main themes in the opening sonata movement are repeated during the exposition; similarly a large stretch of the development consists simply of a transposed version of a previous passage. Only in the third and final movement does the structure become more complex, with the combination of variants of the main themes of the first movement. But such subtleties pale into insignificance when compared with the rhythmic ebullience and good humour of the outer movements, and the suave, urbane lyricism of the central Andante. If the listener is entertained agreeably, the Sonatina has done its job well. © Trevor Bray

William Walton Edited by Steuart Bedford Belshazzar's Feast Vocal score 136 pages 279x216mm for SATB, baritone solo & orchestra A newly engraved edition of this vibrant choral work and fully compatible with the Walton Edition full score. There are minor adjustments to the piano reduction to improve playability and the text underlay is now English only, as Walton's original. Forces or Category SATB, baritone solo & orchestra Duration 35 minutes Difficulty Difficult Orchestration piccolo, 2 flutes, 2 oboes, cor anglais (optional), 2 clarinets, bass clarinet, alto saxophone, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, piano, organ, 2 harps, strings, mixed chorus, baritone solo, 2 brass bands (optional), each consisting of 3 trumpets, 3 trombones, and tuba